Programa de Pós-Graduação em Artes - PPGARTES

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Navegando Programa de Pós-Graduação em Artes - PPGARTES por Assunto "Artes Cênicas. Teatro. Ritual. Ancestralidade. Negritude. Performance. Criação Artística."

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    MACUMBA: UMA GIRA SOBRE PODER O TEATRO RITUAL NA CENA E A CENA NO RITUAL
    (Universidade Estadual do Paraná, 2025-04-23) Silva, Thiago Inácio da; KRÜGER, CAUÊ; http://lattes.cnpq.br/1114691391456508; http://lattes.cnpq.br/8209939282349185; KRÜGER, CAUÊ; http://lattes.cnpq.br/1114691391456508; GILLIES, ANA MARIA RUFINO; http://lattes.cnpq.br/3844117013723738; SILVA, Rosemeri R.; http://lattes.cnpq.br/9734662622571615
    This research aims to reflect on the relationship between theater and ritual, investigating how this connection can serve as a catalyst for the arts. The central question guiding the study is: How can the ritual contribute to the creative process, working as a methodological strategy in scenic creation? This inquiry fosters a critical reflection on the modes of organization in constructing the black performative discourse within the artistic research, employing many theoretical and practical references to understand this complex interaction. At the gist of this investigation, the performance Macumba: uma gira sobre poder, by Companhia Transitória de Curitiba, with staging, direction, and text by Onisajé (Fernanda Júlia Barbosa), emerges as a central experience that redefined the author's artistic trajectory and became the object of analysis and artistic memorial in this work. This act provided an encounter with ancestry and artistic creation, leading to a deeper understanding of the researcher's black identity and the “blackening” of his creative thought, reflecting the spaces of identity construction. The impact of this encounter is directly reflected in the author's academic trajectory, including his undergraduate degree in Performing Arts and his professional master's degree in Arts. The research emphasizes the ritual power of activating identities and its ability to promote blackening, integrating into theatrical practices as a rich and meaningful approach to artistic expression.