Navegando por Autor "DOCA, R. M."

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    ALÉM DA IMAGEM: UMA CRÍTICA SOBRE AS IMAGENS FEMININAS NA OBRA DE BORIS KOSSOY
    (Universidade Estadual do Paraná, 2025/09/12) DOCA, R. M.; FREITAS, Artur; http://lattes.cnpq.br/7705592106667807; http://lattes.cnpq.br/8643767370825262; FREITAS, Artur; http://lattes.cnpq.br/7705592106667807; GILLIES, A. M. R; http://lattes.cnpq.br/3844117013723738; MIKOSZ, J. E.; http://lattes.cnpq.br/8805958526800693
    This dissertation investigates the representation of female figures in the photographic work of Boris Kossoy, with a special focus on the photobook Viagem pelo Fantástico. The study offers a critical analysis of visual representations through the lens of image studies, art history, and feminist critical theory, contextualized within Brazil's sociocultural and political landscape. Kossoy's artistic and theoretical trajectory is examined as a core axis linking his photographic practices to conceptual reflections, particularly regarding the symbolic construction of femininity, the theatricality of images, and the intersection between document and fiction. Concepts such as surrealism, magical realism, and estrangement guide the aesthetic and political interpretation of his imagery, highlighting the recurrence of female figures— mannequins, brides, and nudes—that challenge the boundaries between poetic representation and objectification. Through a qualitative and interpretative approach, based on authors like Barthes, Dubois, Kossoy, Chanady, and Mulvey, the dissertation reveals how the photographer's work transcends documentary records and functions as a discursive field that reconfigures meanings attributed to the female body and urban visuality. The research concludes that Kossoy’s photography mobilizes a hybrid visual poetics, marked by ambiguity and estrangement, emerging as a language of resistance, memory, and invention.